The Sun Temple is located in the city of Konark in the state of Orissa and is dedicated to the Sun God or Surya. The entire temple has been conceived as a chariot of the sun god with 24 wheels, each about 10 feet in diameter, with a set of spokes and elaborate carvings. Seven horses drag the temple, two lions guard the entrance, crushing elephants and a flight of steps lead to the main entrance.
 
The Sun is the giver of light, heat and energy to the world. The first piece depicts the sunrise that we are fortunate to experience everyday and goes on to describe the attributes of the Sun God through the Surya Sthothram. The choreography has also incorporated the Surya Namaskaram which is a yogic exercise performed to the Sun.
 
The Mallari has been choreographed to depict the procession of Nataraja into the Nataraja Temple in Chidambaram which is one of the most ancient and celebrated of shrines in India. Chidambaram is associated with Nataraja, or Shiva in his Ananda Tandava pose (the Cosmic Dance of bliss) in the cosmic golden hall and the hall of consciousness (Chit Sabha).
 
The dance of Nataraja is celebrated through the panchakshara mantra. The five elements of earth, fire, water, air and ether are embodied in the dancing sculpture as represented in Chidambaram. The 108 karanas are another fabulous part of this temple and the dancers will perform the dance of Nataraja through Bharatanatyam with the karanas being seamlessly interwoven into the choreography. This piece was a collaborative effort between Vidhya and Radhika Shankar who is a disciple of Dr. Padma Subrahmanyam, the scholar who holds a PhD on Karanas.
 
The Ajanta caves consist of 30 Caves including the unfinished ones, which provide a unique combination of architecture, sculpture and paintings.
 
The stories depicted in this section as carved in the Ajanta caves through mime and music in this piece are "Four on a Log", "The Monkey Prince", "The Greenwood Gatherer", and "The Sound the Hare Heard".
 
The Sri Channakeshava Temple at Belur, along with the Hoysala temples at Halebid and Somnathpur, is the cream of what remains of one of the most artistically exuberant periods of Hindu cultural development. The details of the 38 bracket-figures of the shilabalikas (female figures in stone) in these temples, is astounding. Each Shilabalika beckons the spectator as if to say, "Look at me, for I am the most beautiful". The three shilabalikas depicted in this homage to the Belur, Halebid temples are Shukhabashini - the one who talks to her parrot about all her joys and sorrows, Keravaani - the one who decorates herself and waits for her lover, and - the one whose beautiful tresses make men fall in love with her.
 
In Khajuraho eighty-five temples were erected, twenty of which remain standing today. Each is a unique marvel of Hindu architecture and sculpture. The carved stones of the temple walls frequently depict humans united in a celebration of eternal felicity, a symbolic form of union with the gods.
 
The sculptor shapes magnificence out of stone and is enthralled to find her sculptures echo her mind's imagination.